Sunshine In A Cup is a deep, immersive meeting of worlds pairing the unmistakable voice of Lizzie Bradley with the boundary-pushing production of Inkswel. Rooted in jazz but drifting effortlessly into electronic soul, Read more
Sunshine In A Cup is a deep, immersive meeting of worlds pairing the unmistakable voice of Lizzie Bradley with the boundary-pushing production of Inkswel. Rooted in jazz but drifting effortlessly into electronic soul, house and left-field hip hop, the record moves like a late-night transmission lush, rhythmic and emotionally charged.
Bradley’s voice sits at the centre: smoky, fluid and transportive. As described by Sean Peter (Triple J), she brings a “jazz Billie Holiday, Björky underwater feel to a dark, machiney thing” and that tension defines the album.
Her background across international jazz circuits, festivals like Glastonbury and WOMAD, and London’s underground EMOM movement shines through in performances that feel both intimate and expansive. Ethno-rhythmic grooves, layered
harmonies and textural synth work give her vocals space to soar while staying grounded in deep musicality.
Inkswel, a global force with over two decades of genre-defying output, provides the perfect sonic architecture. Known for blending raw, sample-driven energy with forward-thinking production, he shapes Sunshine In A Cup into something cinematic yet club-ready.
The album features a diverse cast - J-Live, Blu, Erin Buku, Marley Love, Leonard Charles, Harrison Smith, Bloomy Meadows and Kultar Ahluwalia , each adding their own flavour to the palette. Extending beyond the core release, the project is elevated by a suite of next-level remixes from Lil’ Dave (215), Afrikan Sciences, Aka Zeb and South Beach Recycling, pushing the material
into even more experimental and dancefloor-focused territories.
Artwork Michal Rafaj - Mastering Leonard Charles
https://inkswel.bandcamp.com/album/sunshine-in-a-cup
Out everywhere June 1. First single April 17.
Sent from my iPhone
Bradley’s voice sits at the centre: smoky, fluid and transportive. As described by Sean Peter (Triple J), she brings a “jazz Billie Holiday, Björky underwater feel to a dark, machiney thing” and that tension defines the album.
Her background across international jazz circuits, festivals like Glastonbury and WOMAD, and London’s underground EMOM movement shines through in performances that feel both intimate and expansive. Ethno-rhythmic grooves, layered
harmonies and textural synth work give her vocals space to soar while staying grounded in deep musicality.
Inkswel, a global force with over two decades of genre-defying output, provides the perfect sonic architecture. Known for blending raw, sample-driven energy with forward-thinking production, he shapes Sunshine In A Cup into something cinematic yet club-ready.
The album features a diverse cast - J-Live, Blu, Erin Buku, Marley Love, Leonard Charles, Harrison Smith, Bloomy Meadows and Kultar Ahluwalia , each adding their own flavour to the palette. Extending beyond the core release, the project is elevated by a suite of next-level remixes from Lil’ Dave (215), Afrikan Sciences, Aka Zeb and South Beach Recycling, pushing the material
into even more experimental and dancefloor-focused territories.
Artwork Michal Rafaj - Mastering Leonard Charles
https://inkswel.bandcamp.com/album/sunshine-in-a-cup
Out everywhere June 1. First single April 17.
Sent from my iPhone
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